This is a stock photo of my Steinberger guitar, and how it should look ... (Mine has different pick-ups but you get the general idea). Unfortunately I've not looked after it as well as I should, so it's looking a bit forlorn ...
This is looking down onto the guitar (Think of the neck pointing down to the ground, this would be the 'top'). The paint has all worn away and underneath the wood doesn't look too bad, you can't tell from the photo but there's a nice wood grain.This is the controls area of the guitar body. As you can see, the knobs for the volume and tone control are missing - in fact the volume control (The top one) has half the head missing so a new knob wouldn't sit properly. The pickup selector at the bottom is also missing it's knob, and currently I stand the risk of slashing my hand if I strum too hard ...
The tremolo system and also the area for tuning the guitar. I had take this to pieces last night as one of the internal springs had moved, so stopping the 'D' string from being tuned up. There's a massive bugger of spring underneath the system, and I've fixed that in place as I never use the tremolo on the guitar. Apparently there is a way of utilising it so at a flick of a lever at the back, the guitar will drop down to an alternative tuning but more importantly, stay in tune. Once I've done all the work on the guitar, I'll have a play with that.

I plan to remove the black paint currently on the body of the guitar, and take it back to the wood underneath. I'll then apply a varnish with some black mixed in to it, the idea being you still see the grain of the wood but through a light wash of black (Like the bluey-teal example above)
But before I do that I'll need to remove all the hardware from the guitar (The tremolo, pickups, volume and tone pots, pickup selector), so I had a quick look inside the guitar and was greeted with the above. Looks a bit daunting to me ... The pickups each have a different combination of coloured wire, which run through the body of the guitar to the underneath of the pots and selector switch. I can see I'll be taking lots of photos, and making lots of labels to ensure I put the numerous wires back where they're supposed to be.
As much as I'm looking forward to restoring my guitar, I am a bit sad that I'll lose the 'Steinberger' logo. I did toy with taping over it and trying to save it when stripping the paint, but I don't think it'll look right.I'll readily admit that I'm leaping into the great unknown with this project, as I've never stripped a guitar down and put it all back together again. I'll just have to take my time, and not rush (HA!). I know I need a new volume pot, and I need to get new knobs for the volume and tone controls as well as a top for the pickup selector switch (eBay is my friend ...). Lunch time today will be spent in the local hardware store getting paint stripper and a plastic scraper, plus a set of small screwdrivers.
And tonight ... that's when it'll all probably end in tears ...
This is the mobile phone I have, (Well, obviously not the actual one in the photo, as I'd need my phone to take a photo of my phone ... And the girls lost my stylus months ago when one of them borrowed it to use for their Nintendo DS), a LG Viewty. I've had it over a year now, and have surprised myself that I've managed to keep it in one piece for all that time. The Viewty doesn't have a keypad, everything is done via its touchscreen (Which explains the stylus) - so break the screen and you end up with an expensive paperweight.
The Line 6 POD (Bought for £50 from the bloke who used to write songs for Steps!). This little beauty is an effects processor which covers your every need - unfortunately it doesn't make me play any better, but at least my wrong notes will sound better.



During orientation I got talking to Malcom, a Nebraskan, deaf in his left ear (With floppy hair to cover the hearing aid), wearer of bowling shoes, and owner of a bass guitar. I borrowed Quinton's acoustic guitar, and Malc and I spent some time trying to find common musical ground (The Cure's 'Just Like Heaven' proved to be it!). People started to drift over, and soon we were taking requests and the US version of me was well and truly born.
There was numerous requests from staff members (Mainly Malc and me ..) for a Bryan and the BeachBums tape, so before the summer ended we gathered in the Lower Dining Hall (Or as it was known on the tape, LDH Studios) and blitzed our way through the BeachBum set. Quinton was in charge of recording (He had a flashlight with a flashing red light which he'd put on during a take), pressing the play/record button with style. We also did a couple of 'live at the Campfire' recordings after Bryan had left, with Malc's brother Bart filling in on vocals for 'Twist and Shout', and tagged them onto the tape.
